Why do women have to be charming and attractive to men? Why does the “man see a woman” always big and small call and “female view male” but want furtive? Why does the image and figure of a woman have to be the prey of a man’s lust for pleasure? Why do women’s inner secrets, pain, sickness and death never enter the human eye? Why is it that human women can only be “cute” and not “ugly”?
Do women have to make men feel comfortable?
The female body, which has been the material for thousands of years of human art history, is the theme of artistic creation and aesthetic immortality. But even if the female body has always been the artistic creation and view objects, but it doesn’t mean the female body ─ female desire, health, growth, social encounters, opposite sex abuse, physical, and so on ─ by the attention they deserve. The female body is actually the “alienated body” of art, commodities, politics and men, which is the medium of male self-worth fever and inflation. Since the middle of the 20th century, with the rising of feminism, women’s liberation was due to physical liberation, as a result, deconstruction “male view and ethics” is the core of contemporary feminism art practice mission.
In 2005, an exhibition titled “Inside Out Loud: Visualizing Women’s Health in Contemporary Art” was exhibited at the university of Washington in st. Louis, Missouri. In “gender” (gender performance) and the “bad luck” women (femme fatale) as the theme, the late American feminist artists action, contemporary art body outstanding contributors to Hannah. Wes welker (Hannah Wilke, 1940-1993), has once again aroused people’s attention, especially Hannah. Wes welker old age to the camera records and their mother suffered from cancer erosion and decay of the body, still staggering and sympathy.
Hannah. Wes welker and another British artist Joe s bangs (Jo Spence, 1934-1992) as the middle of the 20th century two well-known feminist photographer, two people form is not the same, but the art concept is quite consistent. “Feminist Photography” (The Feminist Photography) does not mean that generally by The female professionals engaged in photographic activities and works, but a “female perspective” as The basis, with extreme personalization, The mainstream and The reality of attitude, interventional to women’s own body, desire, imagination and emotion, to examine and evaluate its relations with The outside world art activities. Women photography is a kind of “reproduction” (self – representation) action art, they questioned the “women only naked into the exhibition and museum”, the book of the law of against women must make men “looks very comfortable to be” art “” bias. The emphasis on photography is not the “click” of the man (the photographer), but the woman (the photographer) who ACTS on camera. “Feminist photography” the basic idea is, women have been men desire of reappearance “violence” (violent representation) of the product, women must be redefined, and the self definition, and the right of this definition, the history always control in the hands of men.
Deconstructing male psychosexuality logic.
Hannah. Wes welker, born in 1940 in New York early in Philadelphia, “Taylor’s academy of fine Arts (Tyler School of Art) learning sculpture and fine Arts, a bachelor’s degree in Arts in 1961, after graduation in Manhattan, New York” School of Visual Art “, a professor at School of Visual Arts) sculpture, died of cancer in New York in 1993. Hannah. Wes welker works are difficult to categorize, also difficult to popular and marketization, although her works by “abstract expressionism”, “minimalism”, and the influence of the concept of “doctrine”, but with the specialization of later work, the work is getting more and more difficult to delimit a particular “human art” category, on the contrary, her work can even reverse positioning in the category of “counter/body aesthetic”. In the United States, mainstream art institutions have always been shy about displaying Hanna’s work, but her work has flourished in Paris and northern Europe.In the 1970s, Hannah werke became famous for making “videotape of performance,” but it was also controversial. In the beginning, Hanna welke showed off the “eroticism of the body” in the realm of women’s sex and sexuality. But soon, Hanna. Wes welker found a female body in male sex “the service” in the field of vision (enslavement) and “sex” captive exile (captivity), recognize that this does not make women gain pleasure in their bodies to show body art, but is a “he” (enjoyment for “Others”). In wes welker point of view, a history of the human body art but is based on the male desire and make out the history of ornamental “body”, a male as the aesthetic subject, meet the men lust of vision into industry. Human body aesthetics is a kind of very suspicious and paradox “otherness” of art, in should use what kind of artistic thinking to shape the female body beauty, women are rarely “self doubt”, instead of being an ingrained male desire. Hannah. Wes welker insists that art is not a man’s gift is tasted, so Hannah. Wes welker from naked female body beauty “show”, to “display” form, the male to the female body bare view and male peep and experience the most direct way is to “let yourself be peepers”, in the men’s “view” and “porn” experience the desire of men form, and the interference, spoil, blocking, deconstructs male view and structure, to reconstruct the nature of the female body. So Hanna welke began to use her own body as a medium for her own creative and unique bodily performance to show the oppression and curse of the female body in the eyes of men.In 1974, the running time of 35 minutes 30 seconds animation “gesture” (gesture), informal, with a body form and expression of unusual changes, through the body the most direct link between language and culture, to deconstruct the people behavior and cognitive structure to the body of the view. “Attitude” of creation concept is based on the traditional aesthetic sense of the concept of “beauty” (beauty) dialectical reflection, which is on the one hand, giving the body a variety of potential energy variation, highlight and enrich the body itself implied complex cultural tolerance, on the one hand, through the visual effect and cognitive contrast, to interfere with, damage, deconstruction finalize the design concept of “the beauty of the body”. In the “attitude”, Hanna. Wes welker face to face with the lens, winking and in a variety of repeat feature and continuous motion, or let the eyes of concave and convex deformation, scrub your soft face, pulling the skin, or crack mouth spits, pain, smile. Hannah. Wes welker the body as a kind of sculpture tableland expected, on the one hand to the will of any altered human body morphology allegorical violence, on the one hand and the body “fluid” and “ta”, change in the physical properties of the body into a mediated “will” the culture of the body, a to dismantle the female body curing qualitative symbols, a performance in the female body culture takes up (cultural imposition) of vulnerability. Obviously, in the early writings, Hannah, trying to give up the idea of “artistic publicity/body gallery”, trying to “not comfortable” of the body (ill at ease) and artistic (estheticism) oppose “only aesthetic feeling”, break traditionally female body as prey of cultural constraints.
In 1975, “Hello, Boys,” Hannah welke took a large fish tank as the stage (context), behind the mirror, naked and accompanied by rock music. Hannah, combined with the performers and the viewer’s dual identity, “mermaid” as the artistic metaphor, visual call for erotic dance, so as to show women were to catch, the essence of the farming, the toy. The theme of “desire to see” is intended to be an allegory of male gaze that traditionally sees women as the “desire mermaid”. The fish tank is traditionally defined as a “leisurely” image, but in fact the aquarium is just like the “tank”, which is a water collector for male desire and a cage for female body. In fish tanks, women are kept in captivity by men’s “desire to save water”. Women think they are free and have nothing to worry about, but they are actually a pleasing ornamental for men. The same concept works and 1976 “Through the Large Glass” (Through the Large Glass), Hannah, Marcel. Duchamp (Marcel Duchamp, 1887-1968) masterpiece “the Large Glass” (the Large Glass) behind the performance, work how it reproduces the history of female body are lust, and nude women how to be popular, commercial course, thoroughly expose the female body into male desire consumption and the nature of business transactions.Body how to become a commodity consumption and the operation of the political power field, is the thought of contemporary feminist theme, how to examine and present body reappear and respond to external power, political art is body’s creative clues. French sociologist rephrases Baudrillard (Jean Baudrillard) in the book “consumer society”, pointed out that the consumption is chaotic, appeared on the surface of the personal private and autonomy, in fact, consumption is a kind of constraint, a kind of ethics, a kind of system, a kind of value system. The relationship between body and consumption is a social system that congeals specific values in the consumption behavior with the body as the object. The body is the buying and buying of consumption, and consumption is the mold of the body. Today, the body has become a “symbol of consumption,” capitalism “bottomless pit” giving women body consumption value, but it will serve as the “capital exchange” ably in the body and as a “sex and the habitats” apart from the natural body, the body and the capital to let a person look since the distinction is not clear, imperceptible; The benefit of the women in entertainment and hedonism tableland is to develop their own body, even in accordance with the male “peep scale” to construct your own body shape, make it as value symbol form (fashion symbols and symbol) operation.How to use the body as a “counterexample” and “iron certificate” to rediscover the power and gender aggression of the female body is the basic concept of Hanna welke’s medium term creation. In 1978 and 1982, two series of “Help Me, Hannah,” So Help Me Hanah), the use of the postmodern cities decadent image and commodity political tone, to show violence, power and gender in a space (urban consumption world) entangled state. Works by the basic elements of naked beauty (only put on a pair of high heels Hannah. Wes welker yourself), water type of piano music and the hands of a pair of light gun (ray gun), the background looks like a filthy ground of roadway, belongings into the altar, shabby iron stairway. Hannah welke, with the dirty scenes of a slum, is a woman with a lustrous woman who aims to represent the condition of a woman’s subaltern representation. “Mean” and “the female body” strong contrast, revealed that women in the city for the “surplus value” in the sea, the spread of sexy like sweep streets of rubbish, and commercial and political desire to reproduce, make women become a kind of “desire”, flashing people instantaneous pulse sensory stimulation.Do not take tone, as well as a way of uncoordinated comprehensive characters, words and music of mumbling, mixed with both planning ideas and conceptions of operation performance, work in a “video stream of consciousness” and “body politics” art technique, shows the situation, women “waiting” also showed Hanna. Wes welker adept at using gesture and facial expression to convey civilization conflict, gender, aggression and body twisting squeeze type tension between induction. Works in the pistol is a meaning like sharp objects, it is a symbol of war, power and penis, but Hanna. Wes welker pose both love of guns of tai, and to “light” to express a tease type resistance, the meaning of “gun” is not limited to the category of violence, oppression, but extended to all invisible murder the indulgence of the senses, commercial and political terrorism. “Shot” in English has the double meaning of “photography” and “shooting”, which means that commercial exploitation and sexual assault have left women in a state of constant panic.In swing with the music, Hanna. Wes welker read aloud, words drawn from statesmen, poets, critics and philosophers, the artist’s famous phrase, including Hitler, Joyce, Susan sontag, etc., this is the most difficult part of the whole series, like in the authority of the allegorical language and autocracy, and like in the image interpretation and metonymy. Hannah. Wes welker sometimes like a work on the black even fireworks woman from down the steps of the dark, but only see sexy curves and hip after covered with light and shadow, glimpses of cutting fence, mean destruction, and the feeling of abandoned; Sometimes it is like the virgin who lies on the altar, with the sacrifice of the flesh as the decadent civilization playing the dark elegy; Sometimes like a female spy, the world is full of doubts, puzzles and probes; And the posture of kneeling down on the toilet and the glass frame, respectively, is a prisoner of desire, like a woman who is attacked by civilization.Although cancer before Hanna. Wes welker because too beautiful, makes the work of revolutionary implications face a reverse offset, some critics even think that, in a sexy beauty body to express the women’s difficult situation, is confused and disorder, but in the inner Venus Series (Intra – Venus Series) on display, “bad luck” women (femme fatale) no longer is a kind of performance, more is not a kind of art, but Hannah. Wes welker his breaking bad health disaster.In Hannah. Before wes welker was diagnosed with cancer, her mother has been suffering from breast cancer, her mother took two hundred photographs, according to Hannah. Wes welker himself, filming activities have given the photographed the therapeutic effect of renewed life vitality, even if the “watch the pain of the family” is always sad, but photography activities to “characters” replace “patient”, allowing patients to get rid of the difficult to get rid of “patients”, inhuman “identity”. Soon, Hanna. Wes welker themselves suffering from cancer, but the unfortunate encounter didn’t make her disheartened, because experience the meaning of life is watch death into the key position, record the extending and forming of the death in the body, it is a kind of the distance to the closest to death to feel the experience of death. Although Susan sontag in the misery of watching others pointed out that “beautification” is a classic feature of camera, it’s easy to bleach weak us to figure things in moral repugnance, but Hanna. Wes welker has, in the inner Venus series, Hanna. Wes welker is not only an amateur, intuitive, is also a bystander, in their pain “view”, Hanna. Wes welker achieving her to the art of “death” most real.Hannah. Wes welker at the crowd and show his blue eyes she was lying in a hospital bed, quiet, and inability to gaze, and step by step by cancer cells erosion from spoiling the body, caused by chemical treatment of hair loss and baldness, in deep and high black pupil, injection needle tube inserted in the chest, bloated and flagging abdomen flesh and blood of gauze, mobile bedpan, plant drug container, etc. Hannah. Wes welker not in manufacturing frightened or terrorist, but in the show a man absolutely not like but completely “own” body, with a real life of the body, with a realistic situation and ideological confusion body, with a from pp pp fell to the ground, youth and beauty, mature aging, step to the death of the evolution of “life”. Hannah. Wes welker with an endorsement of a belongs to own, not the pain of the body, to criticize her always with “sexy” exposed as artistic expression tool, proved, sexy and excuse is exposed from her art, her artistic philosophy has always been: from women’s bodies, through to the women’s real life experience and expression, to rebuild the existing significance and value of the female. In the picture, people saw once as “modern Venus” Hannah. Wes welker have angular deformation, the shadow of death as seems to be full of dark clouds of the sky, gradually rich exhibition, covered, consume tableland this bright the earth. However, there is no regret of life, like no color painting, good memories of the past is always a bit sad, in the end oil lamp is life, we can still see a soul of art, don’t want to die a regret, an artist is reluctant to part, to the life still dusty, a born to women, for women die stubborn style, a kind of never give up for the idea, as well as the renewal of life under the violent death Yin hope and desire.
“Inculcate in women the idea of denying yourself and deleting yourself.
The so-called “delete ego” by feminists is actually changing the appearance of a woman through cosmetic surgery, and there is no higher level of connotation.
But this is contrary to the long-held claim of feminism that “self-realization” does not include cosmetic surgery. In their view, cosmetic surgery may be original sin.
The founder of the theory of feminism: Simon beauvoir.
According to Kant in the theory of proverb so-called: this may be correct in theory, but does not apply to practice analysis, if a claim is right in theory, logic, then it is can be deduced and can practice. “Should not delete oneself” obviously cannot deduce, after all how much is the plastic surgery called “delete ego”? Freckle spot mole are these micro-plastic surgery programs called “removed part of the self”? Are innate physical defects part of the “self”?
Men need plastic surgery too, and south Korean men don’t have plastic surgery? It is only in China that the money and power factors in the relationship between marriage and marriage are relatively heavy, so Chinese men don’t pay much attention to their own form.
So the appeal of feminist logic should be: will you guys be all right?
“The cosmetic industry objectifies women.
Recently, the Chinese department of zhongshan university in guangzhou, an associate professor at KeQianTing ms in “women’s studies review” published an article “plastic advertising, concept of beauty and body culture”, think that cosmetic advertising is not a social demand projection (heart) of the person all has beauty, but capital and technology to shape the ideology. In the process of plastic surgery, “the female body is pierced, imbedded and transformed by the power of technology”.
To some extent, this is a common argument of leftwing liberals, that the expansion and development of capital and technology are seen as harmful to humanity and ultimately undermine human “subjectivity”. The ability of humans to use technology to improve themselves is far from being underestimated.
“Plastic surgery is a surrender to the patriarchal society.
That is to say, the “beauty” created by the plastic surgery is defined by the patriarchal society. It is not necessary for a woman to do such an operation.
It may be a political correctness of contemporary feminism to sum up the problem because of male power. In this paper, the female pursuit of physical beauty without her, or should this pursuit is limited: you can use makeup, methods such as yoga to beauty, beauty, but the knife on the face rapid change is a violation of the procedural justice!
This is a very common comment on the Internet. It is easy to “identify” other people’s appearance, so the bigger the difference, the better. Is there any more discrimination against women than this?
With left-wing liberalism is the same place: the requirement of “beauty” is a kind of false of the pluralism, namely to adhere to the natural beauty, each have each beautiful, debase the its performance is moral dwarf netizens star about cosmetic surgery.
If you think you’re not beautiful and want to have a face-lift, they may tell you: no, you should keep this natural beauty, recognize it, and don’t delete your ego.
Based on but not limited to these reasons, feminists say:
“The government should introduce laws to ban plastic surgery.
This is the political philosophy of many feminists: government. They seemed to have no alternative but to resort to their usual criticisms of the patriarchy.
According to historical records, the earliest conscious use of cosmetics was the ancient egyptians. Cosmetic surgery has become so popular in ancient Egypt that it is necessary to make up in daily life, as well as in religious ceremonies, and even after death. The ancient egyptians attached great importance to the health and beauty of the skin. After bathing, the ancient egyptians should apply a large amount of sesame oil, perfume or ointments to moisturize the skin, thus forming the earliest beauty trend.
During the middle ages (476-1450), religion played a very important role in European life. Women attach great importance to the maintenance of skin. It is popular to apply colorful cosmetics to the cheeks and lips but not to the eyes. At this time in Europe for beauty teaching, but at the time of cosmetology and medicine belong to a category, including in the same course, professor don’t separate, but has formed a professional beauty bud of teaching.
During the Renaissance, beauty was greatly promoted and developed towards a more specialized trend. French court doctors have written books on the use of steam baths to maintain their bodies, and Italian doctors have explored the use of various spices to keep the skin soft and delicate. At that time, people attached great importance to appearance and appearance, to show their respect for wisdom and to create an elegant and harmonious style.
Began in the 1880 s, the western the modern professional beauty salon, people according to different service for the skin and gradually formed a strong professional beauty salon now, and the direction of diversification, and the pursuit of “return to nature” and high-tech infiltration increased, to promote the rapid development of the whole of the beauty industry.
In mid and late 20th century, beauty salon professional technology and modern medicine, and the combination of high-tech, high-tech products, on the high quality service, coupled with the continuous renewal of beauty equipment and beauty means to constantly improve the technology content, the development of beauty industry plays a positive role in promoting. To achieve more scientific and effective skin care effect, with a more green and healthy concept for modern service.
Now, Switzerland hebai international professional beauty technology research and development team, adhere to the practical introduction of the latest technology and training highly professional development team; Adhere to the strict production requirements of technology r&d, processing and packaging, etc., and adhere to the pre-ipo skin and medical test verification and prescription proofreading for 2-3 years. Continuous innovation of professional line beauty products technology, quality and efficacy, only for more professional.
The history of 100 years of plastic surgery: thin ribs and electric shocks to the hairline. Marilyn and the roc star were more crazy than baby.
As early as in ancient India had the cut nasal ZaiZaoShu, than now popular cow x, because at that time there is a kind of punishment is to cut the nose, face and cut the nose will have very big flaw, facial features of a officer, how terrible is more terrible. So, in order to make the person who has lost his nose normal life, someone has invented a false nose that can be worn by people, at least to compensate for facial defects.As early as the 6th century b.c., India’s famous doctor Sushruta’s “funny smell set” recorded in books, “the ancient Indian law”, namely, nasal reconstruction with the forehead flap, and do the nose is more real than the above.
Anaplasty appeared long ago actually, just won’t developed and the problems of high technology is not high, so whether in Europe or us during the period of the republic of China of the 20th century, the nineties or Hong Kong, regardless of the technology, all the women are like beauty, willing to try all methods enhance the level of appearance.
European twentieth century
Because of the two world wars caused many cases of facial deformity, so some of the oral and maxillofacial and otolaryngology doctor are input to the study of plastic surgery, it will promote the development of plastic surgery at that time ~ ~
In the 20th century, Hollywood actresses began to adjust their appearance, and the famous Hollywood actresses made local adjustments.
Known as Marilyn Monroe, she dyed her hair blonde to look more like a blonde.
In 1950, when plastic surgery was still undeveloped, she performed [smaller wings] surgery to make the nose look narrower and more delicate.Look at her nose not only Narrows, nose became more stereoscopic make ~ and plastic surgeon, said before her nose, chin implant prosthesis, but failed to find a more exact figure, director.In order to have a sexy broad forehead, still use hot wax + electricity to take off the hair of the messy hair, the director can not imagine that how much pain, now want to take off hairline of the sister to roar happiness.The news also said that both Monroe and Elizabeth Taylor had been distressed by the little villi on their faces, so they chose to shave their hair and become “glabrous”.In addition to the above items, she also said that she had adjusted her teeth and had two ribs removed to make the waist change. The whole tooth can have, but the ribs that sound painful ~~ did not think to become an era of sex symbol, Monroe also experienced a big project.
The Spanish actress Rita hayworth, who was famous for her “angel wings” in 1939, was as sexy as Monroe, and was especially popular with American soldiers.But she in order to become more sexy also used electric shock to take off the hairline, narrow hairline before with three-dimensional facial features more like Indian, when hairline becomes open, the entire people are becoming more atmosphere.
In plastic surgery infancy, few stars have the courage to do the whole face, so the German singer actress Marlene Dietrich invented my own way to lift delicate “CROYDON FACELIFT”, the medical tape in the face of two buccal, fixed in the hair, on the other side will tighten up sagging skin.She also pulled out the back of her cheek, letting her cheeks hollow and projecting the lines of her face.
During the period of the republic of China
During the period of the republic of China west to east, makeup, Chinese actress has to learn from the west on modelling, including raise more beauty Plastic ~ ~ foreign called Plastic: “Plastic surgery” is the synthetic operation, at the time of the republic of China is called “artificial beauty culture”
Look closely at this book, it says “women must carry” four words, which is the rhythm of human hands, plastic surgery is as common as makeup. More surprisingly, double eyelids, nose implants, breast implants, and jaw projects all work well. Cutting double eyelid is also a girl’s essential project, after cutting all turn into big beauty. The nose job is not only for girls, but also for boys. It looks natural.
And the woman writer and secret agent, guan lu, was also revealed in the article that she had a nose job.
Her disrelish oneself in the early years of the bridge of the nose is too flat, consists of a small beauty salon, for her with wax, somehow melted the wax and, like a fighting straggling to canthus, bent on she scratched a scar on her beauty face, such as add branches and leaves, is not good, but no way to make her recover.
The director looked at the photo of guan lu, although it was ambiguous, but the nose did have obvious changes.
Actress zhou xuan also cut the former swollen eyes into double eyelid, unexpectedly good-looking also more amorous feelings. However, the plastic surgery was a way for the rich to improve their appearance. As the technology was not mature enough, the freckle was about 200 silver dollars, which is the income of a middle-income family for one year.
In fact, plastic surgery itself is true, people of all ages are trying desperately to make their faces beautiful, but the wrong is people’s aesthetic.
Beauty is one world one dream, historically, people are discovering method of beauty and pursue let her face more beautiful, there is a word called “facial attractiveness”, the better the greater the attraction.
When you think you’re not beautiful enough, but you’re afraid of unfamiliar technology, we just think about the question “want to be beautiful”.
And now your simplest form of beauty.
To agree that beauty is not a bad thing.
Why do more and more people like to have plastic surgery now?
The rise of plastic surgery.
1. Mass media has shaped the contemporary public aesthetic orientation.
Mass media publicity and promotion of what image, will strengthen a certain image. On the one hand, taking commercial advertisements on TV as an example, it is not difficult to find that there are a large number of female role stereotypes or female stereotypes in advertisements. Most advertisements show young, beautiful women, and suggest to the advertiser that, as a woman, its value lies in beauty and youth. As a man, you should choose such a beautiful woman. On the other hand, a lot of newspapers and magazines, the cover of the cover of the magazine, the huge posters on the street, and so on, all use the image of handsome men and women. In addition, the popularization of Internet also has a great influence on people’s way of thinking and behavior. It has shaped the contemporary aesthetic orientation.
2. The demonstration effect of celebrity plastic surgery on the public.
As a public figure, film and television stars, including clothing, dressing and even appearance, have become the object of imitation. Many plastic surgery hospitals have images of their idols attached to their pages for personal reference, as well as those who ask for a photo of a star to make it look like that. Fan bingbing’s face, Chen huilin’s eyes, and angelababy’s chin are all very popular models.
In the face of The Times, the high level of appearance means more “rights” and “opportunities”.
It is not a secret to judge a book by its cover. Economists have long been aware of the “beauty premium” — people tend to think that beautiful people excel in every way. Daniel hamermesh, an American economist, has long studied the economics of beauty and concluded that handsome men earn five per cent more than their average counterparts, while attractive women earn four per cent more.
4. The ultimate pursuit of beauty.
A survey of 70 women by the American society for aesthetic plastic surgery (ASAPS) found that 95 percent of women felt satisfied after cosmetic surgery, and 81 percent admitted that their sex life had improved. Tolstoy in the childhood, youth, youth trilogy wrote: “I often unconsciously in a desperate, feel the world is you don’t give such an ugly man with happiness: nose so wide, so thick lips, small eyes, or grey color. What could affect his prospects more than a person’s appearance? There is nothing like a person’s appearance to determine whether a person is cute or not. A writer has an insight into the nature of human nature, and if you can suffer from the pain of flesh and blood, and pay a certain amount of money, you can obtain psychological satisfaction.
My work shop peer
Material: pencil/ charcoal/ black pen
Purpose: Look for the perfect face. With the development of science and technology, more and more people (especially women) want to have plastic surgery. With the rapid development of social media, more and more people want to improve their appearance. Some even want to have celebrity appearance.
Emma said ” I think changing things about yourself for superficial reasons will only lead to finding new parts about yourself that you don’t like.” ” I think if a person who has chose to do the plastic surgery to change an appearance in order to feel better about her/his self then he or she has a deeper issue about his/herself.
Haokun’s workshop about relationship
Jo workshop about hair and brian